When you think of the circus, what's the first thing that comes to mind? For me, there are several options, depending on my mood.
When I'm feeling nostalgic, I recollect fondly the old spring horse we had in the basement when we were children. Ours was an old style spring horse -- the kind parents gave their children in the 1970s, back when carseats were optional and really less desirable than a big open bench backseat on which to practice one's tumbling on long car trips. Our spring horse had none of the current fancy-schmancy features like extra-wide stabilizing bases attached to the metal frame, padding on the handle bars, or thick flexible covers over the springs. No, our horse was blissfully safety deficient. Its thick, exposed springs could catch your bare feet if you weren't careful. No use suggesting shoes. For when I rode that horse, I was always the Bare-Back Rider in the circus, which of course required that I ride barefoot or shod in tiny, close-fitting footie-shaped slippers that I fancied looked like ballerina shoes. Barefoot felt safer, as those slippers had a tendency to slip right off that highly-polished saddle. I would stand up on the horse's back, hold onto the reins with one hand, bounce up and down as hard as I could, hard enough that the horse would give little jumps off the floor, its metal frame catching air before landing again on the thin indoor-outdoor carpet (with no underlying pad) that was all that separated me from the poured concrete floor of the basement. And I would do all of this standing on one leg, with the other stuck out "gracefully" behind me, while my sisters played my theme song on the record player.* My horse and I would gallop around the ring, and I would do trick after trick. Some days were just practice, and others were performances. I spent many many hours on that horse, long after I was much "too old" to play on silly little kid toys like that.
Because I wasn't allowed to have a real horse, this was the closest I could come to feeling like a glamorous rider in the circus. So ride I did, imagining all the while that I looked something like this:


My other early circus memory is of falling in love with Toby Tyler. Of course, I read the book before I saw the movie. But I thought that any boy with his kind of gumption was worthy of the love of a Bare-Back Rider. And with his ten weeks of experience with the circus (not to mention the glorious circus wagons and other paraphernalia he was surrounded with), he seemed a worthy object for a crush.
When I'm slightly less nostalgic, mentioning the circus calls to mind the wonderful opening chapters to Charles Dickens's
Hard Times. In this novel, the industrial city of Coketown is visited by the circus, and the sharp contrast between the lives of the happy extended family of circus performers and the pinched emotionless existence of the children of the wealthy industrialist, Mr. Gradgrind, is thrown into sharp relief. My favorite part of the whole novel comes early on, in a chapter titled "Murdering the Innocents." The school master, Mr. M’Choakumchild, allows Gradgrind to question the children. Asking Sissy Jupe, daughter of one of the circus men who takes care of horses for a living, to define a horse, Gradgrind (who eschews emotion as unnecessary) assumes she does not know the answer when has actually terrified her into being unable to answer, despite the fact that she has lived around horses all her life.
‘Girl number twenty unable to define a horse!’ said Mr Gradgrind, for the general behoof of all the little pitchers. ‘Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy’s definition of a horse. Bitzer, yours.’
The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. . . .
‘Bitzer,’ said Thomas Gradgrind. ‘Your definition of a horse.’
‘Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth.’ Thus (and much more) Bitzer.
‘Now girl number twenty,’ said Mr Gradgrind. ‘You know what a horse is.’
I don't know why, but this bit never fails to crack me up. Actually, I probably do know why: because, as you have already seen, my vision of horses has always been tinted with the glamor of the circus, a la
The Saturday Evening Post. And Bitzer's mechanical answer, like Mr. M'Choakumchild's name, is too preposterous to be taken seriously.
The circus, then, has always been for me a place of wonder, amusement, fantasy. I've only ever seen the circus once in my whole life. But that didn't stop me from playing circus constantly with my sisters. If it wasn't indoors on the basement floor, it was hanging by our hair--or something else equally improbable--from parts of our backyard swing set, imagining we could really fly.

Or I read books about kids running away with the circus. Or I hungrily gazed at images of old circus posters in books or antique stores. Or whatever. The point is, I think the circus is a deep-rooted childhood fantasy -- the fantasy of living in a world of glittering glamor and daring exploits, of astonishing bodily feats and beautiful painted wagons. A world where rules, and parents, and school, and normalcy all take a back seat to the breath-taking wonder of flying through the air

and taming wild beasts.

And here's the best part: I have it in my power to give you a piece of that fantasy (satin Victorian trapeze-artist bloomers not included). Thanks to the magic that is promoters contacting bloggers with potentials for giveaways, I have some of the most fantastic prizes on offer. Here's what you can win (and how to win it).
1. For a
circus DVD and program book of your very own, featuring the new and modern
Ringling Brothers and Barnum & Bailey Circus, leave a comment on this post telling me what your childhood fantasy was for when you ran away to join the circus. What would you have been? I'll pick one name next Monday (Sept. 29) using the lovely Random Number Generator, and you'll get the circus in your very own living room. (Just as long as you promise not to blame me if your children start using the kitchen light fixture as a trapeze.)
2. For a piece of
circus action in person: ask your children (or nieces or nephews or grandchildren or whatever youngsters you'd take to the circus if you could) to tell you what they think of when they think of the circus. Either write down the stories they tell and put them in a blog post of your own, or ask them to create a picture, and put that picture into a blog post of your own. Come back next Monday (Sept. 29), and add a link to your post on the Mr. Linky you'll find here. Every one who enters a post by next Monday will have a chance at
free circus tickets for your family to the Ringling Brothers show nearest you. (Please check the
Ringling Brothers 2008 Tour Schedule to be sure that there will be a show near you.) Again, winner will be chosen using Random.org.
You can enter for both prizes, but I'll draw for the tickets first, and that person will become ineligible for the DVD/program prize. It's only fair to spread the wealth around, right? As an added bonus, everyone who enters but doesn't win will get a special promotional code that will get you a 20% discount on Ringling Brothers tickets this tour season.Michigan readers, stay tuned, I've got something else up my sleeve just for you that will be available a little closer to the Ringling Brothers visit here (Nov 12-16). Yes, a third chance to win. And the prize is excellent. Trust me.On Tuesday, September 30, I'll announce winners of both the DVD/program and the free tickets. So start talking circuses!
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*For the record, my own children would never in a million years be allowed to do this. There are moments when I wonder if our safety consciousness hasn't in some measure gotten in the way of our own children's fun. Then again, bonus: no cracked open heads from bareback riding of spring horses.
(Saturday Evening Post cover from here. Wagon used in the film Toby Tyler: Ten Weeks with the Circus from here. Circus posters from here, here and here, respectively.)